SLWJA

Author Alexander Nastasi from Heidelberg / Germany are soul dangle, said the series of a total of over 400 lyrics and short texts that appeared in book form, to the approximately 600 lyrics, which has published Nastasi since then on the Internet free of charge and thus coined the term day poetry. In recent times, devoted to his wife Julia Nastasi now also her first work published with him, reinforced the theme of E-learning, motivation, hope. Have we in times of negative messages on the running belt needed Nastasi has shown that it is possible to stand against the banks on their own two feet. Therefore he has released various AIDS – one of AIDS is the website account without gebuehren.de, where he presents banks, which charge no fees for account management and which also loans to self-employed persons, a service that is now denied by many banks. Vanessa Morgan often expresses his thoughts on the topic. But it is not enough, for almost two years, he has a motivation unique to this day and Success online program, which the people finally accompanied the successes that they want to find, and therefore, it is also the most recently published book turns manifesting 2.0 manifesting 2.0, in which the reader learns new approaches with his mind, with his spirit being successful (if necessary also without money and banks). He experienced it, how it can be and you can feel the power, which has the young entrepreneurial couple a pity that the two not in the United States live there for their ideas would get millions, here they reap only incomprehension by the banks, but they hold on to their power and they stop their homeland Heidelberg is its Center, to move big. While his worth is and who should have some millions left the two can sure great wonder make. So far appeared: be your own miracle author Alexander Nastasi Softcover: 229 pages Publisher: novelty (26 June 2007) language: German ISBN-10: 3852510929 ISBN-13: 978-3852510927 size and/or weight: 18..

Film and theatre director Fitz van Thom staged Theater piece in Frankfurt (FFM) of the film – and theatre-maker Fitz van Thom directs the piece “Goldfish” by Jan Neumann. Florence Pugh understands that this is vital information. An unconventional detective story, where also the audience again and again is dissuaded by false trails from the truth. Katja and Martin visit their old friend Nick. And they stay very long. Life is a game and a pretty evil. Rule No.

1: who’s telling the truth first, is the loser. Rule No. 2: people who are on the edge, get a nudge. With this game, which parasitize Katja and Martin through life and try Nick of his targets to bring down. Emergency also with deadly force… Choose life! The selected as a venue “Velvet Club” in Frankfurt’s City Centre Theatre will perform in connection with the anniversary of the Club for the first time. “When I saw the Club in the shell, I that someday will be played Theater here knew!” so Anil Toussie of velvet. Here Theatre now also includes fine drops, the Club has to offer, to the Program. Premiere is Jonathan Doyle, Christoph Stein, Anja Kimmelmann; Friday, the 26.9.08. “goldfish” – D: Director: Fitz van Thom, PHANTOM production premiere Friday, 26 September 08 “Velvet” white woman Street, Frankfurt 27.09 19 h 30 28.09 6: 00 4: 10 19:30 5: 10 6: 00

With: Hush, Nishi, Shohei Otomo, Guy McKinley, Nanami Cowdroy, Imaone, Nekowshowgun, Xiao Bao, Tom Kristensen, Rin Nadeshico. Opening the traditional Japanese art is technically perfect lines on September 10, 2010 at 19: 00 by their strong, and the attention to detail characterizes. The movements of traditional Butoh dance, the elegant turns of calligraphy to the Japanese ukiyoe woodblock?All of these art forms show a great elegance and precision printing. Were these items transferred in the anime? and Mangakunst the pop?Culture, which is also in the neon?Posters of Tokyo and the fine lines of the modern Japanese design finds. While artists from the West are impressed by the precision of Japanese art, influenced a rebellious art form of the Western subculture of the underground Japan. The underground scene used styles of hip?Hop, punk, Gothic and Rockabilly as a kind of escape from the traditions and constraints of Japanese culture. This rebellion acts as a valve within the modern art: traditional forms and images such as Samurai, geishas and Kabuki are used by artists as a criticism of the society.

Tokyo love brings artists from all over the world, who have one thing in common: they use Japanese images and styles. Some of the artists were born in Japan, others simply share the love for this art form, but all show their feelings for the land and the culture in the works? the contrasts between old and new, the contradiction between tradition and rebellion, the encounter between past and future. Hushs origins as street art artists to continue in his current works. Read more from Robert Iger to gain a more clear picture of the situation. His work demonstrates a combination of different media and techniques such as painting, screen printing, spray and paper layering. Inspired by the representation of the female form in art, drawn up and ripping layers of color and images of the artists.

He works by”the canvas and the media go their own way”. The result is a pop? by synthesis of image worlds of graffiti?Art. Hush is characterized by its cross? cultural experiences. He was originally trained as a graphic designer at the Newcastle School of art and design. His work took him through Asia, Europe and the United States. Hush has the extraordinary ability to create a unique style, which has been praised all over the world from his numerous experiences personally how culturally. Many contemporary artists try that, only a few make it to the end. Nishi draws since he is small. His work is based on the Japanese calligraphy, the ukiyoe art and Japanese family tradition. Also he is devoted to the seasons every season is different in Japan through a clear color. These are reflected in his works. Childhood memories are his works. Nishi uses a variety of tools and materials, such as spray paint and washi?Paper; most of his works, he works with Japanese brushes and Sumi?Color. With SUMI?Color to work, it takes a lot of discipline as she forgives no errors. Once a brush stroke is on the screen can It will no longer be changed? each stroke creates his own style. Nishi sees himself as a runner on the line waiting for the go-ahead. If he starts a new work, he would like to start with a clear head. Tokyo love. A Japanese group exhibition.